![]() The most current items are a DVD recording of his memorial held at MIT in 2003, and a thesis by an Italian graduate student on Modigliani's macroeconomic views on the Italian and European economy, of the same year. ![]() Through correspondence, extensive research notes, unpublished writings, lectures and presentations, teaching materials, published materials, photographs, audiovisual materials, scrapbooks, and clippings, the papers document the career of a noted economist and Nobel Prize winner, from his earliest student work in Italy through his 40-year tenure of teaching and research at the Massachusetts Institute of Technology. The Franco Modigliani Papers span the years 1936 to 2005, with the bulk of the materials dating from the 1970s to 2003. The many annotations written by Modigliani's wife and collaborator, Serena Modigliani, found throughout the collection, provide further information contextualizing the materials. Collection contains correspondence, extensive research notes, unpublished writings, lectures and presentations, teaching materials, published materials, photographs, audiovisual materials, scrapbooks, and clippings that documents the career of a noted economist and Nobel Prize winner, from his earliest student work in Italy through his 40-year tenure of teaching and research at the Massachusetts Institute of Technology. A tip of the hat to the entire cast, especially the comic relief artists of Michaela Jose as Bloody Mary and Sam Arnold as Luther Billis.Franco Modigliani was an economist, Nobel Prize winner, and professor at the Massachusetts Institute of Technology (MIT). Their inner struggles add to the drama as Cable and Forbush’s love interest, French planter Emile de Becque, both find themselves in harm’s way.Įmily Kristen Morris as Nellie, Noah Weisbart as Emile and Riley McFarland as Joe all make us care what their fates will be. Joe Cable both have to confront their own prejudices in connection with separate romances that blossom amid the tropical islands. The heroine, Nellie Forbush of Little Rock, Ark., and Princeton grad/Marine Lt. The musical, which premiered in 1949, stood out in its era for addressing racism. If you enjoy classic musical theater, these young people will leave you smiling. South Pacific comes at you with an array of catchy show tunes: the childlike “Dites Moi,” the testosterone-fueled “There is Nothing Like a Dame,” the ethereal “Bali Hai,” the bouncy “Honey Bun,” and the nearly operatic warbling of “Some Enchanted Evening.”įor each number, the SRT cast sang to please, displaying talent, grace and power as desired. “Welcome, welcome to our 44th season,” SRT’s artistic director James Newman told the audience before the show at the junior college’s Burbank Auditorium. 8 at Santa Rosa Junior College.Īfter four weeks of rehearsals, the nearly 30 young actors emerged Friday night to present a rousing version of Rodgers and Hammerstein’s tale of love and prejudice set against the backdrop of World War II. “Emma” will be followed by “Peter and the Star Catcher,” “Tartuffe” and “Little Shop of Horrors.” The season runs through Aug. ![]() Now audiences are waiting to see what the energetic cast will do with the remaining four shows, including Jane Austen’s “Emma,” which opens Tuesday. With Friday’s premiere of “South Pacific,” Summer Repertory Theatre showed once more its great strength: Bringing together talented college actors from around the country and giving them the chance to sing their hearts out.
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